Dr. Chuyun Oh

headshot of Chuyun Oh

Professor of Dance
School of Music and Dance
College of Professional Studies and Fine Arts

SDSU

Email

Primary Email: [email protected]

Building/Location

Exercise and Nutritional Science - 121

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Website Links

Bio

Chuyun Oh (PhD in Performance Studies, University of Texas at Austin) is a Fulbright scholar and Professor of Dance Theory and Practice at San Diego State University. She is the author of six books, including K-pop Dance Education: To Dreamers (Routledge, 2026) and K-pop Dance: Fandoming Yourself on Social Media (Routledge, 2023), an Amazon New Release bestseller and a shortlist for the Dance Studies Association’s de la Torre Bueno First Book Award.

As a pioneer of K-pop dance studies, she offers the first K-pop dance courses in the US and issues K-pop Creator Certificates through her research institute, Oniz Lab (https://www.onizlab.com/).

Her award-winning scholarship and performances on popular dance and ethnography have received multiple national and international grants and have appeared in more than sixty global media outlets, thirty keynote speeches and book talks, and over thirty anthologies as well as top-tier journals.

Having begun classical ballet training at Sun Hwa Arts School, she performed internationally as a professional modern dancer early in her career, earning several international dance competition awards.

She serves on the editorial boards of Text and Performance Quarterly, Asian Communication Research, and Dance Chronicle.

Education

  • Ph.D. Performance Studies (Portfolio in Gender Studies), The University of Texas at Austin, Austin TX
  • M.A. Aesthetics, Ewha Woman’s University, Seoul, South Korea
  • B.A. Dance & Philosophy (minor), Ewha Woman’s University, Seoul, South Korea

Areas of Specialization

  • Dance theory
  • Performance ethnography
  • Popular dance
  • K-pop

Languages

  • English
  • Korean

Awards & Honors

  1. A Short List of the de la Torre Bueno First Book Prize, Dance Studies Association, 2023
  2. The Division of Research and Innovation (DRI), RSCA Assigned Time Award, 2024
  3. SDSU PSFA Dean's Award, 2023
  4. Top Paper, Korean American Communication Association, National Communication Association (NCA), 2019
  5. Top Contributed Papers, Performance Studies Division, NCA, 2019
  6. Top Contributed Performances, Performance Studies Division, NCA, 2018
  7. Top Contributed Performances, Performance Studies Division, NCA, 2017
  8. Top Contributed Performances, Performance Studies Division, NCA, 2016
  9. Top Ten Downloaded Article of the Year 2015, The Journal of Fandom Studies.

Courses

  • DANCE 101 (GE) Dance Influencers
  • DANCE 281 (GE) Dance, Identity, Pop Culture
  • DANCE 382 (GE) Dance in World Cultures
  • DANCE 383 (GE) K-pop
  • DANCE 380 Dance History
  • DANCE 481 Performance Writing
  • Study Abroad: K-pop Dance & Social Media 

Grants

1. The Academy of Korean Studies Translation of Overseas Korean Studies Monograph, 2023
2. The Academy of Korean Studies Academic Research, 2023
3. Seeds Grant, PSFA, 2023
4. The Refugee - American Initiative, primary investigator, PSFA, 2019
5. University Grants Program (UGP), PSFA, 2019
6. Projects for the Public Good, PSFA, 2018
7. Summer Research Grant, PSFA, 2018
8. Start-up Research Fund, PSFA, 2017
9. Postdoctoral Fellowship, Hamilton College, NY, 2015-2017.
10. Fulbright Scholarship, The US Department of State, Bureau of Educational and Cultural Affairs, 2010-2012
 

Media

Full media coverage is available here: https://www.instagram.com/chuyun.oh/

Select media coverage:

Publications

BOOKS

  1.       C. Oh, K-pop Dance Education: To Dreamers, Routledge, 2026.
  2.       C. Oh, K-pop Dance, Korean edition, Culture Look, 2026.
  3.       C. Oh, K-pop Dance: Fandoming Yourself on Social Media. New York, NY: Routledge, 2023 (Amazon New Relesae Bestseller in Communications and Popular Dance).
  4.       J. Lee, C. Oh, and YC Kim, eds. Candlelight Movement, Democracy, and Communication in Korea. New York, NY: Routledge, 2021. 
  5.       C. Oh, 언어의 주관적인 객관성; 세 개의 메타포  [The Subjective Objectivity of Language; Three Metaphors: Language, Image, and the Body]. Seoul: Da Vinci, 2009. 
  6.       C. Oh, et al. 비평, 나쁘게 말하다  [Speak Criticism Critically: Interdisciplinary Arts Meta-Criticism]. Seoul: Dao Space, 2009. 1-144.

REFEREED JOURNAL ARTICLES 

  1.       Oh. C. “What Is K-pop Dance Studies? Text and Performance Quarterly (2025): 1-26. doi:10.1080/10462937.2025.2584529. 
  2.       Oh. C. “K-Pop Dance in US Higher Education.” Dance Research Education Journal, vol. 4, no. 2 (2025): 1-26. https://doi.org/10.1080/14647893.2025.2570918.
  3.       Oh. C. “New Authenticities of Indonesian K-pop Dancers,” Dance Chronicle. 1–26 (2024)
  4.       Oh, C. [Book Review] “David C. Oh, Mediating the South Korean Other: Representations and Discourses of Differences in the Post/Neocolonial Nation-State. Perspectives on Contemporary Korea. University of Michigan Press,” Pacific Affairs 97, no. 1 (2023): 186-189. .     
  5.       Oh. C. “Rocks Thrown at His Head,” Conversations Across the Field of Dance Studies 42 (2023). 
  6.       Oh, C. and David C. Oh. “White-Expat-Fans’ Performing K-pop Other on YouTube.” Text and Performance Quarterly (2022): 1-23. h. 
  7.       Oh, C. [Book Review] “Kwon, J., Straight Korean Female Fans and Their Gay Fantasies. University of Iowa Press,” Asian Communication Research 18, no. 3 (2021): 192-196. 
  8.       Oh, C. “The (Im)possibility of Speaking Unspeakable Trauma in Dance Ethnography,” Text and Performance Quarterly 41, no. 3-4 (2021): 241-261. 
  9.       A. Harlig, C. Abidin, T. Boffone, K. Bowker, C. Eloi, P. Krayenbuhl, C. Oh. “TikTok and Short-Form Screendance Before and After Covid.” The International Journal of Screendance 12 (2021): 190-209. 
  10.       Oh, C. “From Seoul to Copenhagen: Migrating K-pop Cover Dance and Performing Diasporic Youth on YouTube.” Dance Research Journal 52, no. 1 (2020): 20-32. 
  11.       Oh, C. “Identity Passing in Intercultural Performance of K-pop Cover Dance.” Journal of Intercultural Communication Research (2020) 49, no. 5: 472-483. 
  12.       Oh, C. “One Billion Rising Flashmob: From Unspoken Trauma to Danceable Pleasure.” Dance Chronicle 42, no. 3 (2019): 296-321..
  13.       Oh, C. “Racialized and Gendered Orientalism in Olympic Figure Skating.” The International Journal of the History of Sport 36, no. 7-8 (2019): 714-730. 
  14.       Oh, C, and David C. Oh. “Unmasking Queerness: Blurring and Solidifying Queer Line through K-pop Cross-dressing.” The Journal of Popular Culture 50, no. 1 (2017): 9-29..
  15.       Oh, David C., and C. Oh. “Vlogging White Privilege Abroad: Eat Your Kimchi’s Eating and Spitting out of the Korean Other on YouTube.” Communication, Culture & Critique 10, no. 4 (2017): 696-711. https://doi.org/10.1111/cccr.12180.
  16.       Oh, David C., and C. Oh. “Until You Are Able’: South Korean Multiculturalism and Hierarchy in the film My Little Hero.” Communication, Culture & Critique 9, no. 2 (2016): 250-265. 
  17.       Oh, C. “Queering Spectatorship in K-pop: The Androgynous Male Dancing Body and Western Female Fandom.” The Journal of Fandom Studies 3, no. 1 (2015): 59-78. (One of the most downloaded articles of the year from JFS).
  18.       Oh, C. “Performing Post-Racial Asianness: K-Pop’s Appropriation of Hip Hop Culture.” Congress on Research in Dance Conference Proceedings. Cambridge University Press (2014): 121-125. 
  19.       Oh, C. “Gender Images Shown in Dancing in TV Commercials.” The Korean Journal of Dance Documentation 19 (2010): 29-45. (KCI)
  20.       Oh, C. “A Dance Criticism on White Room.” The Korean Journal for Dance Studies 22 (2007): 231-234.